Do Not Press This Button
Oran Mor, Glasgow
Nov 11 – 16, 2019
As we approach the end of this season’s 500 play celebrations, today’s production took the form of Do Not Press This Button, a new play by Alan Bisset, directed by Kirsten Mclean. The scene was two table’s on a train where Ben (David Rankine) and Maria (Gemma McElhinney) were seated on either side of the four big windows, both looking intent and composed. All at once Ben tried to start up a conversation with a reluctant Maria and they growl at each other for a bit, recognising that they often share the same train journey but had never talked before.
The somewhat abrupt interaction warmed up when Maria hit upon the idea of a game of questions and answers where they each agreed to answer questions from the other. But Maria had an agenda, and her questions become increasingly personal and uncomfortable for Ben. With a smile on her face, she asked which race was his favourite, as in race of people, and the conversation took on an increasingly explosive tone as he tried to evade her probing. It was almost like watching a Shakespearean encounter with Maggie’s intelligence and sharp wit leaving Ben standing. We laughed at the sight of him being put in his place, it seemed that Maggie couldn’t be won over as easily as all that – if that’s what Ben was trying to do…
Enter Terry in his bomber jacket (Cameron Fulton), who became a kind of an innocent third party as the other two discussed him when he went off to find beer. They agreed that they found his demeanour threatening and confessed to feeling relief that he had temporarily absented himself. The contrast between the stereotypes was not lost on us – the two middle class professionals and the working class Terry with his rough accent and casual clothes. But their attitudes and opinions could confound us too, and lead to assumptions being taken to account. Things took on a much darker turn when Terry was reluctantly cajoled into talking with the two about race and Dire Straits, of all things, and he responded by threatening Maria with his fists. It all ended very badly…
This was a wonderful piece of writing and fitted the Oran venue perfectly, with marvellous edgy performance from all three actors. I suppose that if we don’t “press these buttons” we wouldn’t learn anything at all, but the stern lesson is to do so at your peril and know when to stop!