Fly Me To The Moon

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Oran Mor, Glasgow
Sep 30th – Oct 5th, 2019

Script: four-stars.png Stagecraft: three-stars.png 
Performance: three-stars.png S.O.D: four-stars.png

Oran Mor’s Play, Pie and Pint’s 500th play season continued this week with the return of “Fly Me To the Moon” by Marie Jones, a play that first appeared at the venue in 2010. The stage was set in a cosy looking living room where we meet two care workers, Loretta (Sandra McNeeley) and Frances (Julie Austin) who were there to carry out their duties for their client, Davy McGee. The two had devotedly looked after the 84 year old Davy for the past 12 years, knowing him well and familiar with his habits and routines, such as his love of the horses and of Frank Sinatra and the way he would sing along to “Fly me to the Moon”.

However it was soon clear that today wasn’t going to plan when Frances shot into the room from the bedroom and did a quick couple of turns around the stage, in a panic because she’d discovered that Davy had passed away in his sleep. What will we do, what will we do….? With Francis going out of her mind, the mind of Loretta got to thinking as she realised that the old man had died before he was able to pick up his pension of £80. Not only that but Loretta discovered a betting slip – for once Davy’s horse had won at 100 to 1. Wham the plot to take it for themselves was born.


While Loretta started making plans for a trip to Barcelona, Frances fretted about the fact that what they were doing could be fraud, and with the strains of “Fly me to the Moon” in the background, they discussed the rights and wrongs of the situation. The arguments went to and fro, but whenever Francis complained that they were doing something wrong, Loretta would persuade her that it was both of their ideas to which Frances always came round. But their careful plan fell flat when they realise that the time of death would not concur with the time of cashing the pension. But they did it anyway, justifying themselves on the grounds that they had been working for years on minimal wages. We can understand from the stories that blended into their conversation that no matter how hard they both worked, they have money troubles that won’t go away.

With lively dialogue and thought provoking issues, this was a play that challenged you. You can’t just dismiss the temptations the women are subject to as despicable without also considering the role of society which expects them to perform work for the vulnerable while not paying them a living wage. It’s good theatre that raises these conundrums and makes you think.

Daniel Donnelly


Posted on October 2, 2019, in Scotland. Bookmark the permalink. Leave a comment.

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