The Origins of Ivor Punch
A Play, a Pie and a Pint
Oran Mor, Glasgow
April 29 – May 4, 2019
Script: Stagecraft: Performance:
A blue-toned set depicting the Isle of Mull – or some similar remote island – greeted us as we took our seats. In the middle stood the grim looking Henrietta Bird clock tower. As the stage darkened we could just make out the movement of the three actors, all playing double roles; Andrew Tait, as Sergeant Ivor Punch and his ancestor Duncan, a postman, Tom McGovern as Ivor’s friend Randy and -no less – the great Charles Darwin; and Eva Traynor playing the famous Victorian explorer Isabella Bird and her sister Henrietta. This play, written by Colin MacIntyre, is quite a complicated piece, based on the author’s own prize-winning book, ‘The letters of Ivan Punch’, and touches upon ideas of identity and mythology, history and love – a tall order in the space of a mere hour!
The action began with Randy and Ivor Punch sitting together in a car singing a song about angels. The purpose of their journey was humorously to steal a Christmas tree with Ivor ironically dressed in his full Police uniform on his way to commit a crime. But an angel, in the form of a woman in a white dress, Eva Traynor’s Isabella, who stated she was somehow there to help him. He was intrigued when she called him Duncan, a character Ivan was unaware of.
The words ‘God is love’ appeared graffitied on the side of a cliff and were introduced to the plot in a dramatic scene at the clifftop, a proverbial cliff hanger. Then bright lights shone dramatically upon the scene to invite us into another aspect of the story. This time, Andrew Tait appeared as Duncan, postman and jack of all trades, a man of few words, beyond a few well-worn stories. Henrietta falls for him, but you wondered if it was him or something he knew of that she wanted?
Through interactions between the various modern and historical characters, the story delved more and more into exploring the identity of Ivor and the factors which made up who he was. We had costume changes and found Charles Darwin, resplendent in top hat, waistcoat and pocket watch. Lofty ideas were analysed and Ivor revealed that he had put Darwin’s book ‘The Origins of…’ to the test with the ‘Bible’ and found that naturally the Bible was chosen every time. In the midst of all these weighty discourses, light relief was provided by Randy, with his down to earth, not to say rude, language.
The passion between Duncan and Henrietta was also explored, particularly in the dialogues between the two sisters. Ivan and Randy came to realise the identity of the name on the clock tower and in the final scene we found Henrietta offering support to Ivan as she professed her faith in his capability for love in all of life.
The way this story was built up, using a great many facets that all somehow mysteriously melded and joined together was much like the complex original book by Darwin himself. The play bounced along sometimes lightly, sometimes heavily, for the hour and after proposing many questions, somehow in the end had them all answered.