Oran Mor, Glasgow
April 1-6, 2019
Script: Stagecraft: Performance:
When we see anything Elvis we rediscover and find our affection for that iconic 20th century artiste. The stage was set with a blue neon lighting of a famous picture of the man himself and Joan/Elvis (Joyce Falconer) took to the stage fully dressed in jumpsuit and rhinestones for the Ultimate Elvis event to come. So much was packed into this hour at the Oran Mor that it seemed to have entertained us for a much longer time. There were various transformations of the set, changing from the dreamer’s bedroom to the lounge where her mother Agnes (Karen Ramsay) sat with her walking stick, to the club where as an Elvis impersonator Joan performed her socks off.
The applause was loud as the one-liners flew by, and also included appreciation of well performed scenes. Joan’s Doric Elvis character gleamed and endeared from the start, touching your heart as she dreamed of stardom that will take her away from her humdrum and impoverished life. Her mother Agnes doesn’t see it though and tells her beloved daughter to give it up: she will never succeed.
It becomes clear that Joan really loves her mum and tells us that she feels that Agnes needs her as much as Joan needs her mum. But there is conflict because with every chat Joan became more and more certain of a great career in entertainment. In reality, her gigs are karaoke nights at a local, but her dreams, like The King himself, are so much bigger than that.
Stuck in her wheelchair, Agnes would bang on the floor with her walking stick when Joan was practicing loudly in her room. And when she discovered that Joan had earned £100 she starts to change her mind. Joan tries to hide her wages from Agnes instead buying herself a new laptop, something that means a lot to her as we understand when she has an online conversation with Fat Bob the DJ (David McGowan). Perhaps Fat Bob could be a possible romantic interest for Joan, except that her heart belongs to Elvis.
Joan’s desire to succeed as a female Elvis grows stronger and stronger. We are filled with respect for her sheer determination and even her mother is won over as she makes a complete turn around and encourages her daughter to go for it. Suddenly we see that even this wheel chair ridden tough old Ma can also be an endearing character who could still live a life of riley.
The world of Elvis was and is flamboyant and larger than life, with more than a hint of sadness. Joyce Falconer takes us into that world with the same indomitable strength of perseverance, acceptance and striving personality that was the man himself. A fitting tribute to the great man, the King, and the dreams he has engendered in so many. Like the living man so was she in costume, dance and vocals, singing her heart out “Love me tender, love me true”… You have to see this play, it’s a gem!
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