Oran Mor, Glasgow
March 11-16 2019
Script: Stagecraft: Performance:
Cast within the natural limitations of the parameters of a PPP production, some plays often feel void of a certain something – characterization, drama, story even – but not Ring Road. This is a remarkable strike of the match, creating a somewhat quite brilliant flame as it deals with modern issues, & handles them with a sort of fluffy grittiness. Ring Road, by the way, is definitely not one for the school holidays!
“At first I thought you were a snooty cow…” Mark
The set is a hotel room – twin beds -, a consummate stage in which unfolds the key bedsheet of the play, a dangerous slice of extra-marital nookie to be conducted between in-laws. Enter Anita Vettesse, starring as Lisa in her own pencrafted play. Her brother-in-law, Mark, is brought to life with bouncing aplomb by Gavin Wright; while her husband, Paul, turns up only in timely & plot-stirring phone-call soliloquies.
Despite their sordid swaggerings, Lisa & Mark are actually quite like-able characters, with their personal inter-plays & polish’d possessions of an excellent script really helping to raise this play up to be widely praised. There are several levels to the story, all of which are relevant. I especially enjoy’d Mark’s reminiscences of when there might or might not have been some kind of chemistry/sexual tension in the earlier encounters of their lives. That Lisa always shirks an answer shows the depth & talent of Anita Vitesse’s craft.
“We’re attracted to each other, & you’re the double of Paul.” Lisa
All in all a wonderful offering from the Oran Mor, which as I said at the start carries on its shoulders just exactly what PPP is all about – top notch drama from a small cast, mixed with classy & contemporary writing!
Damian Beeson Bullen