The Lion, The Witch and The Wardrobe
West Yorkshire Playhouse
7 December 2017 – 27 January 2018
Script: Stagecraft: Performance:
This play is a dramatisation of the much loved children’s book by C S Lewis. Portraying such a well-known and involved work was bound to be an ambitious project, and it did not disappoint. At 2 hours 45 minutes long, it had the potential to lose the attention of its audience, but the length was unnoticed due to the enthralling nature of the spectacle. It is aimed at ages seven and above, which seemed about right. The audience was involved in the show at times, and the young members in particular appeared to enjoy this. This participation was helped by the choice of theatre in the round.
Because of the fantastical nature of the story and the restrictions that come with a theatre production, a compromise needed to be made regarding the grandeur of the special effects, staging and costumes. This balance between having enough of these and relying on the imagination of the audience was perfect. The set was sparse but key props were used and handled faultlessly by the actors – for example, white sheets representing snow, the wardrobe door, the method by which the Turkish delight appeared.
The costumes were brilliant and rang true to the book, particularly those of the beavers and Mr Tumnus. The White Witch’s costume was spectacular and actress Carla Mendonca masterfully portrayed the notoriously frightful character. Puppetry was also used to represent some of the creatures – such as the professor’s cat, the mice and, at times, Aslan. The puppets were handled beautifully and were very effective; the mice in particular.
Throughout the performance, movement and lighting was used to create the atmosphere. There were lanterns across the whole ceiling of the auditorium, and these went on and off and changed colours at significant times, proving to be simple yet effective and involving. The movement used to simulate the initial train ride went on a bit too long and became forced, but this was outweighed by the excellency of the other simulations – such as walking through the rooms of the vast house, travelling through the wardrobe and through the coats, riding in the sleigh, flying on Aslan. Last but not least, the cast should be commended; there was not a weak link. Cora Kirk (Lucy) and Ira Mandela Siobhan (wolf Maugrim) stood out tremendously.
All in all, this is a fantastic piece of theatre. There are themes and lines that are still relevant to life today – for example, the quote “trees have ears and eyes” resonates with today’s concerns about security cameras, the prying of big social media companies and the general threat to privacy. Everyone should see it.
Reviewers : Georgie Blanshard and Lucy Clark
Posted on December 12, 2017, in England. Bookmark the permalink. Leave a comment.
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