A Play, A Pie and A Pint
Oran Mor
Glasgow 
Mar 6-11

Script:   Stagecraft:  Performance:  

A series of letters to a much loved brother, link events in Scotland and France, before and during WWII. They’re written by Callum, a young Cameron Highlander in the British Expeditionary Force, captured at St Valery by the victorious German Army. He faces deportation to Poland until fate intervenes, in the form of a patriotic French lass and her father.

The cast of three (Ron Donachie, James Rottger and Ashley Smith) are excellent and ably assisted by the clever use of back-projected images of the time (embarking Scottish troops, battle damaged towns, advancing tanks and triumphant Wehrmacht officers). Sound also plays its part, from the rasping cry of a corncrake in the Scottish Highlands to the menacing drone of planes over Normandy, from the war time songs of Britain and France to the cast’s live and haunting version of the of The Flowers o’ the Forest.

The contentious subject of the sacrifice of the 51^st Highland Division at St Valery is explored in discussions between the older sergeant and younger soldiers. The former stressing the need to continue fighting to ensure the French army doesn’t collapse, the latter bemoaning the lack of bullets. We are reminded how quickly young men grow up in times of war – and how some don’t have that opportunity.

Reviewer : David G Moffat

A Play, a Pie and a Pint,

Oran Mor, Glasgow

27th Feb to 4th March

Script:   Stagecraft:  Performance:  

World Domination is a meandering vision of a broken family, anchored upon a suburban dominatrix dungeon. The madame of the crypt is played by Louise Ludgate, who at first rejects the return of her errant  sister, Hannah Donaldson. What follows is a gradual shifting of the spheres as the-at-first stoic dominatrix begins to crumble, while the once-flakey, ketamine-bombing sister begins to ‘dominate’ proceedings, in the most gentlest of ways that is.

The two actresses bob along with an unstrained & effortless chemistry, & the script stands up to scrutiny. This is playwright Lesley Heart’s fifth A Play, A Pie and A Pint staged, & it’s a moving,  snapshot of the mediocratic malaise which effects modernity. I particularly liked the script at:

• : This is my dungeon, my place of work
• : Its quite a change from human resources
• : No I don’t think it is

An excellent addition to this season’s PPP, especially if you like your theatre clad in lycra & your scenes divided by hard-core German Techno.

Reviewer : Damo Beeson Bullen